{"id":4945,"date":"2019-08-06T17:08:05","date_gmt":"2019-08-06T15:08:05","guid":{"rendered":"https:\/\/www.masblanchijove.com\/?page_id=4945"},"modified":"2024-07-25T10:10:21","modified_gmt":"2024-07-25T08:10:21","slug":"eva-lootz","status":"publish","type":"page","link":"https:\/\/www.masblanchijove.com\/en\/eva-lootz\/","title":{"rendered":"Eva Lootz"},"content":{"rendered":"

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Go back<\/span><\/a><\/div>

Year 9 <\/span><\/p>\n<\/div>

Eva Lootz<\/p><\/h2><\/div>

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LA HUELLA (The footprint)<\/h4><\/div>

Eva Lootz is a pioneer in the field of sculptural installations. With a personal style and very heterogeneous registries, the work of Lootz is marked by the interaction of matter and language. Starting from the quest for continuous questioning, she creates spaces and works that are unrelated to trends, very personal and experimental that pass through painting, ephemeral materials, three-dimensionality … Practicing a continuous reflection between matter, language and art.<\/span><\/p>\n

The work, “La Huella”, conceived for The Artists’ Vineyard is a big footprint whose heel protrudes from the ground and houses a olive tree transplanted from the same olive grove where it is located. The complex is built with dry stone, making echoes of the walls that form terraces in the cellar estate.<\/p>\n

A footprint speaks of the presence of the absent, speaks of memory, speaks of time and in the digital era reminds us that we not only have a digital footprint but our body has a materiality, enrolled in the immediate environment.<\/p>\n

The footprint of a shoe specifically speaks of our steps, of walking, of the “passenger”, of the fleetingness of our existence and of the mediations, of our living through utensils and tools.<\/p>\n

In addition, in this case it is a particular footprint, a footprint in which the heel protrudes from the ground. The walker does his steps inside the earth and belongs, therefore, to the earth. According to Lootz, to recognize that we are not “masters and owners” of the earth but that we belong to it is, in this case, a warning to the walkers.<\/p>\n

The 450 attendees present at the inauguration of the work of Eva Lootz on July 6, 2019, were able to discover the new Sa\u00f3 Space of the winery where the artist’s drawings were exposed and they also could visit other sculptures situated at The Artists’ Vineyard, as well as the impressive 60m work named “Between the Heaven and the Earth” that the artist Gregorio Iglesias painted during two months in the middle of The Artists’ Vineyard and which currently covers the four walls of the oak barrels room.<\/p>\n

“La Huella” was inaugurated with ecological parliaments shared by both the artist and those responsible for Mas Blanch i Jov\u00e9.<\/p>\n

The outdoor party featured a solo <\/span>percussion by Luis Tabuenca -a musician who premiered the “Hor” chamber opera at F\u00e0brica Fabra i Coats of Barcelona-, \u200b\u200bcontinued with a dinner under the stars paired with the wines Petit Blanc Sa\u00f3, Sa\u00f3 Blanc, Sa\u00f3 Abrivat and Sa\u00f3 Expressiu from Mas Blanch i Jov\u00e9. The party ended with DJ Miquel Salla and the ethereal soap bubbles of Pep Bou.
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“It has been a great pleasure for me to be able to take part in the Mas Blanch and Jov\u00e9 art project in La Pobla de C\u00e9rvoles and I hope that the extraordinary initiative of The Artists’ Vineyard will be a push to fill this beautiful region with new life.”<\/span><\/em><\/h3><\/div>
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“A foodprint speaks of the presence of the absent, speaks of memory, speaks of time”<\/span><\/em><\/h3><\/div>
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Eva Lootz
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Pictures: Elsa Garc\u00eda<\/p>\n<\/div>

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